I first heard of Bonnie & Clyde over a decade ago, and it’s fair to say I played the CD in my car until it skipped! (A reference most of the young cast probably won’t get…!) It has long been a favourite of mine, so – having also seen the recent professional tour – I was thrilled to be invited to the final rehearsal of Aspire Productions by MTS’ show.
Aspire is the newest addition to the Musical Theatre Stafford family. Targeted at young adults and aiming to produce “edgy” theatre, the company may technically be a youth group, but the maturity on display made them seem anything but.
Jamie Gardner as Clyde was compelling to watch – a mixture of angst and danger, seasoned with great humour. His vocals were perfectly suited to the role, sounding mature beyond his years. He shares electric chemistry with Ella Firth as Bonnie, who delivered an equally superb performance. She perfectly embodied Bonnie’s youth, determination and edginess, and her
rendition of the showstopper “Dyin’ Ain’t So Bad” was a masterclass in acting through song – a raw, emotional highlight that moved the room to tears. From their first, tentative meeting to their final moments, this duo led the show expertly throughout.
The Young Bonnie and Clydes (Immy Patrick, Amelia McMahon, Bailey Brennand and Jude Holmes) were also perfectly cast, adding a layer of poignancy to the opening and closing scenes of the show when… Well, without giving any spoilers, we all know how it ends for the
criminal duo.
Another fantastic pairing came in the shape of Buck and Blanche, played by Sam Rodi and Lydia Brough-Chesters. Both possess excellent comic timing and physicality, injecting much needed humour throughout. In stark contrast, Buck’s shooting was handled with immense skill
and gravitas by both performers – another standout moment.
Other notable turns came from Eryn Moore as the Preacher, who delivered a great vocal in “God’s Arms Are Always Open” (a vibrant and energetic company number); Leo Foetu-Foster, who brought real light and shade – along with impressive vocals – to the character of Ted; and Rosie Prince, whose superb vocal and physical characterisation shone particularly in “You’re Going Back To Jail”. The adults in the company provided fantastic support, with Laura Marsden and Claudia Robb delivering moving performances as the title pair’s mothers.
Alongside the principal cast, the ensemble was excellent. These young performers committed fully to the show’s expansive emotional range, shifting seamlessly from comedic interludes, such as the bank robbery, to more heightened, sombre moments. The collective company
sound was fantastic, contributing to a polished, professional finish.
This new company is certainly one to watch. Under the creative direction of Sam Simkin, the production never stops, keeping the audience on their toes for every second of the rollercoaster. This is bolstered by Matt Davies’ musical direction, which ensures a rich, high-quality sound for
both soloists and the ensemble alike.
At the Crown Wharf Theatre this week only (4th – 7th March 2026), I urge you not to miss this one! Tickets are on sale now! https://www.crownwharftheatre.org.uk/bonnie-and-clyde/
Aspire Productions by MTS
Instagram: @mtsa_stafford
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Photography by Rick Ashton (Instagram: photogrickphyevents)
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