& Juliet at the Regent Theatre brings pop, power and a playful twist on the Bard

Logo for & Juliet the musical featuring a pink heart with golden headphones and the tagline “There’s life after Romeo

Disclosure: We were gifted press tickets to attend this performance, but as always, the thoughts are entirely our own.

What if Juliet didn’t end her story with Romeo? That’s the question posed by & Juliet, a bright and bold musical that flips the Shakespeare tragedy on its head and arms it with a pop-powered playlist and a whole lot of sass.

Now on its first UK tour, the show has landed at the Regent Theatre in Stoke-on-Trent and it’s easy to see why audiences across the country have fallen for it. It’s vibrant, empowering and gloriously fun from start to finish.

A relaxed start with serious stagecraft

The tone is set early. With characters casually chatting, waving at the crowd and even drinking tea on stage before the action really gets underway, there’s a cheeky informality that welcomes the audience in. But once the lights go up, the scale and polish of the production quickly shine through.

From the smoky, moody stage to the fast-paced scene changes, it’s visually stunning. Paloma Young’s costumes are rich and theatrical, the lighting by Howard Hudson is punchy and precise, and the whole thing moves with an infectious energy thanks to Jennifer Weber’s choreography.

A chart-topping soundtrack that hits every note

The show’s musical backbone is a setlist of pop bangers penned by Max Martin and friends. Every track is reworked and cleverly positioned in the storyline. Songs like “…Baby One More Time,” “Since U Been Gone,” “It’s Gonna Be Me,” and “Can’t Stop the Feeling!” are delivered with heart and humour.

What’s clever is how the lyrics never feel shoehorned in. The songs are funny, poignant, and in some scenes, surprisingly powerful. Anne Hathaway (played by Lara Denning) delivers a spine-tingling rendition of “That’s the Way It Is” in the second half, earning a well-deserved burst of applause.

And when “Roar” finally arrives as part of the finale, it’s a proper goosebump moment. It’s fierce, full of fire, and ends the show on a real high.

A standout cast full of heart and humour

Gerardine Sacdalan as Juliet stands centre stage in a dramatic spotlight, holding a yellow cassette player and headphones with emotion on her face
Credit: Matt Crockett

Gerardine Sacdalan is nothing short of captivating as Juliet. We didn’t know her background before the show, but wow, what a leading lady. She carries the emotional arc with charm, strength and knockout vocals.

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Jay McGuiness, as William Shakespeare, strikes just the right balance of wit and warmth. His chemistry with Lara Denning gives the show a playful centre, and their back-and-forth provides some of the best comedic beats of the night.

Lara Denning as Anne Hathaway and Jay McGuiness as Shakespeare share a moment on stage in & Juliet, with Anne holding a script and both dressed in Elizabethan-inspired costumes, lit warmly against a theatrical backdrop
Credit: Matt Crockett

We also have to mention Jordan Broatch as May, heartfelt and brilliant, and the charismatic Lee Latchford-Evans as Lance, whose stage presence and comic timing brought real sparkle to the ensemble.

A boyband moment that brings the house down

Just when you think & Juliet can’t squeeze in any more surprises, on comes the De Bois Band. It’s part boyband spoof, part pop concert, and entirely hilarious. The timing, choreography and vocal blend are tight, but it’s the delivery that steals it, knowingly cheesy, full of swagger, and absolutely adored by the audience.

The De Bois Band characters perform under bright stage lights with a glowing pink backdrop, dressed in glittery and urban outfits in a lively boyband parody scene from & Juliet
Credit: Matt Crockett

There were big smiles, big cheers, and even some dancing in the seats as the band powered through “Everybody (Backstreet’s Back).” If there’s a single moment that captures the joyous heart of the show, this might be it

Packed with laughs, punchy lines and standing ovations

The script, written by David West Read, is full of clever puns and playful nods to Shakespeare, but it also isn’t afraid to tackle identity, self-worth and finding your voice. It’s a coming-of-age story in glittering disguise, with just enough depth to balance out the sparkle.

And while most of the show is family friendly, there are a few swear words and the explicit version of P!nk’s “Perfect,” so worth bearing in mind if you’re bringing younger children.

The final numbers brought everyone to their feet. There was singing, clapping, dancing in the aisles, and an atmosphere that felt more like a concert than a curtain call.

Juliet sings from a balcony as confetti bursts and beams of light shoot across the stage with the full cast gathered below during the spectacular finale of & Juliet
Credit: Matt Crockett

That’s a wrap

& Juliet is more than a jukebox musical. It’s fresh, funny, fabulously well-performed and feels absolutely made for the moment. If you’re looking for a night of high-energy theatre with a serious feel-good factor, don’t miss this one!

The show runs at the Regent Theatre until Saturday, 17th May – so grab your tickets at – https://www.atgtickets.com/shows/and-juliet/regent-theatre/calendar/2025-05-13

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